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Byard
Art |
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Selected Solo Exhibitions
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2003 |
Gallery
Tresco, Scilly Isles
Somerville
Gallery, Plymouth |
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2000
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Gallery
Tresco, Scilly Isles
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1998
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Seymour Gallery, Totnes, Devon
Gallery
Tresco, Scilly Isles
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1996
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Gallery
Tresco, Scilly Isles
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1994
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Honiton, Devon
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Selected Group Exhibitions (most
notable)
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2004
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Byard
Art, Cambridge |
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2003
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Polka Dot Gallery, Exeter
The Rowley Gallery, Kensington
Mall Galleries, London
Byard Art, Cambridge
Somerville Gallery, Plymouth
Affordable Art Fair, London
Gallery One Three Nine, London
South West Academy of Fine Arts, Exeter
D’Art,
Dartmouth |
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2002
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Bristol Fine Art
Atlantic Gallery, Plymouth
White Lane Gallery, Plymouth
Affordable Art Fair, London
Gallery One Three Nine, London
South West Academy of Fine Arts, Exeter
D’Art,
Dartmouth |
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2001
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Laurel Keeley Gallery, Exeter
Bartley Grey Gallery, Chelsea, London
Atlantic Gallery, Plymouth
White Lane Gallery, Plymouth
Affordable Art Fair, London
Gallery One Three Nine, London
South West Academy of Fine Arts, Exeter
D’Art,
Dartmouth |
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2000
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Gallery Five, Exeter
Laurel Keeley Gallery, Exeter
Bartley Grey Gallery, Chelsea, London
Atlantic Gallery, Plymouth
White Lane Gallery, Plymouth
Affordable Art Fair, London
Gallery One Three Nine, London
South
West Academy of Fine Arts, Exeter
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Background
- 1983
B.A. Hons. Eng., Art & Design, Plymouth
- Tutor
in art and creative writing
- Member
of Plymouth Society of Artists
- Member
of 21 Group
- 1999
Programme on Westcountry Television
- 2002
Finalist Fine Arts Trade Guild anniversary award
- 2001
– 2003 Cover
Designs for Poetry Anthologies
- 2001
– 2003 Limited
Edition Prints for DeMontfort Fine Art Ltd.
Commissions and Collections
- 2002
Hell Bay Hotel, Bryher
- 2001
Island Hotel, Tresco
- 1999
Island Hotel, Tresco
- In
Collections, UK, Holland and USA
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Wendy’s
distinctive images are clean, fresh and atmospheric, each has
an emotive, almost mesmeric quality that is enchanting.
Most
of my life has been lived near the sea or on the moors in the
West Country. The subtle shift of tide, weather and season intrigue me as a
painter. Nothing
is fixed. I’m
continually chasing light, how it dictates mood and colour and
shape, how memory and imagination play upon it.
Particular encounters with the natural world,
unaccountably, stick in my mind and this is where the pictures
begin.
I often work
in pastels because their transluscent qualities seem to suit
the subject matter, also they’re immediate, easily
transported and tend to be forgiving.
Turner was my first love, he inspires me still, as do
Monet, Morisot and Degas.
Rothko, Eardley and Jackson lead me on. |
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